About

Short Bio

Robert Walton is an artist and director recognised with multiple awards for his work in theatre, screen, installation, writing, interactive art, and research. He is the Dean’s Research Fellow at The University of Melbourne’s Faculty of Fine Arts and Music. In this role, he leads the development of performances and artworks that explore the creative potential of ancient and emerging technologies, including artificial intelligence/automated intuition, theatre, virtual holograms, swarm robotics, standing stones, engineered bacterial bioluminescence, algorithmic ritual, MR/XR, storytelling, building information model data, ambient computing, expanded photography, virtual production, and fire.

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Long Bio

Robert Walton (Aus/UK) is a conceptual, media and performance artist and a director whose work includes theatre, choreography, screen, installation, writing, and interactive art. Described by The Times as “an original and talented thinker and theatre maker”, he has directed the creation of over 30 shows.

Robert trained in theatre at Dartington College of Arts (England) and as a technologist in The University of Glasgow’s Master of Science in Information Technology (Software and Systems) programme. His PhD from the University of Melbourne explored the creative use of mobile computing in performance and won the Chancellor’s Prize for Excellence.

Before moving to Australia Robert co-founded two experimental art organisations in Scotland: Reader Performance Group and Fish & Game. These companies enabled Robert to create a wide range of experimental theatre, installation, and interactive site-responsive performance works with long-term collaborator Ivor MacAskill that toured Scotland, UK, Europe and to Australia. Alma Mater, their final work together, was credited as “the world’s first piece of iPad theatre” (The Independent, UK). Robert moved to Australia in 2011 to join the Theatre Department at the Victorian College of Arts, University of Melbourne.

In the last decade his work has increasingly explored the use of emerging technology through a series of innovative collaborations and partnerships. In association with Arts House, Robert initiated In Your Hands, a three-year project with four teams of artists and app developers creating new hybrid artworks exploring the potential of theatre on mobile devices in public space. With funding from the Australia Council for the Arts and City of Melbourne Robert co-created Vanitas, an artwork for smartphones and cemeteries, which was nominated for The Webby Award for best Art and Experimental Mobile App in 2018 and Best Production and Innovation in Site-responsive Performance at the 2019 Green Room Awards.

In 2018 Robert was the inaugural Australia Council and pvi collective Artist in Residence at Blast Theory (UK) where he developed the concept for the hybrid participatory artwork Child of Now. In 2019, the City of Chicago commissioned him to create Exhuming Johnny for the Goat Island Archive and the Year of Chicago Theatre. In 2019 his concept for The Heart won the competition to create a permanent digital artwork for Melbourne Connect. The Heart launched in 2023 and will beat indefinitely. Child of Now was prototyped at Arts Centre Melbourne in 2022 and received an Honorary Mention at the S+T+Arts Prize 2023, the grand prize of the European Commission for innovation in technology, industry and society stimulated by the arts.

Robert pursues two ongoing multidisciplinary creative research collaborations: Stone Robots, encountering swarm robotics and performance; Living Light / Liquid Moonlight, encountering bioluminescent bacteria. In 2025 he co-created Flashover, a monumental, immersive media artwork about bushfire, that was a finalist for The Lumen Prize 2025.

In addition to his art practice Robert has undertaken a range of roles for the sector. From 2004-2009 Robert was the Lead Programmer for New Work Network (UK), creating the world’s first social networking site for artists. He co-curated the season of Australian dance and performance works for Culture 2014, The XXth Commonwealth Games Glasgow. In Higher Education he has held the leadership roles of Associate Head of Performance and Programme Leader BA Contemporary Performance Practice at The Royal Conservatoire of Scotland, and Head of Theatre and Coordinator of Undergraduate Studies, Victorian College of the Arts, University of Melbourne. He wrote the BFA Theatre Practice and BFA Theatre Practice (Honours) degrees and the Acting Breadth Track, a suite of subjects that enables students from across the University to experience conservatoire-style studio-based theatre training. He was an organisation committee member hosting Performance Studies International #22 Performance Climates in 2016, was academic chair and curatorial circle member for ANAT SPECTRA 2022, and is currently organising The International Federation for Theatre Research World Congress in 2026.

From 2019-22 Robert was Resident Artist at the School of Computing and Information Systems, University of Melbourne working on projects that combine performance, computing and data for Arts Centre Melbourne and Melbourne Connect.

From 2023-25 Robert is Dean’s Research Fellow at the Faculty of Fine Arts and Music using the performing arts to lead research projects exploring Theatres of Artificial Intelligence.

Who am I?

I am an Australian immigrant from the United Kingdom, born in England but of Welsh, Scottish and Manx ancestry living and working in Naarm (Melbourne), the unceded land of the Boonwurung and Wurundjeri people of the Eastern Kulin Nation. I acknowledge, respect and seek to understand the 1000 generations of arts practice that has been danced, sung and shared in the place where I live. My pronouns are he, him and his.

Timelines

In Development

Education

Bachelor of Arts with Honours

Theatre

Dartington College of Arts

Master of Science

Information Technology (Software and Systems)

University of Glasgow

Postgraduate Certificate

Learning and Teaching in Higher Arts Education

Royal Conservatoire of Scotland

Doctor of Philosophy

Overlooked Performances: Mobile Computing, Site-Responsive Arts Practice and the Spectral Dramaturgy of Vanitas

University of Melbourne

Media Interviews