Dr Robert Walton is a multi-award-winning artist and director whose works span theatre, choreography, installation, writing and interactive art. He is the Dean’s Research Fellow in The Faculty of Fine Arts and Music at The University of Melbourne where he leads the creation of performances and artworks that explore the expressive potential of ancient and emerging technologies including, artificial intelligence, theatre, virtual holograms, swarm robotics, standing stones, engineered bacterial bioluminescence, ritual, MR/XR, storytelling, building information model data, and ambient computing.
Robert Walton (Aus/UK) is a conceptual, media and performance artist and a director whose work includes theatre, choreography, installation, writing and interactive art. Described by The Times as “an original and talented thinker and theatre maker”, he has directed the creation of over 30 shows.
Robert trained in theatre at Dartington College of Arts (England) and as a technologist in The University of Glasgow’s Master of Science in Information Technology (Software and Systems) programme. His PhD from the University of Melbourne explored the creative use of mobile computing in performance and won the Chancellor’s Prize for Excellence.
Before moving to Australia Robert co-founded two experimental art organisations in Scotland: Reader Performance Group and Fish & Game. These companies enabled Robert to create a wide range of experimental theatre, installation, and interactive site-responsive performance works with long-term collaborator Ivor MacAskill that toured Scotland, UK, Europe and to Australia. Alma Mater, their final work together, was credited as “the world’s first piece of iPad theatre” (The Independent, UK). Robert moved to Australia in 2011 to join the Theatre Department at the Victorian College of Arts, University of Melbourne.
In the last decade his work has increasingly explored the use of emerging technology through a series of innovative collaborations and partnerships. In association with Arts House, Robert initiated In Your Hands, a three-year project with four teams of artists and app developers creating new hybrid artworks exploring the potential of theatre on mobile devices in public space. With funding from the Australia Council for the Arts and City of Melbourne Robert co-created Vanitas, an artwork for smartphones and cemeteries, which was nominated for The Webby Award for best Art and Experimental Mobile App in 2018 and Best Production and Innovation in Site-responsive Performance at the 2019 Green Room Awards.
In 2018 Robert was the inaugural Australia Council Artist in Residence at Blast Theory (UK) where he developed the concept for the hybrid participatory artwork Child of Now. In 2019 he was commissioned by the City of Chicago to create Exhuming Johnny for the Goat Island Archive and the Year of Chicago Theatre. In 2019 his concept for The Heart won the competition to create a permanent digital artwork for Melbourne Connect.
In addition to his art practice Robert has undertaken a range of roles for the sector. From 2004-2009 Robert was the Lead Programmer for New Work Network (UK), creating the world’s first social networking site for artists. He co-curated the season of Australian dance and performance works for Culture 2014, The XXth Commonwealth Games Glasgow. In Higher Education he has held the leadership roles of Associate Head of Performance and Programme Leader BA Contemporary Performance Practice at The Royal Conservatoire of Scotland, and Head of Theatre and Coordinator of Undergraduate Studies, Victorian College of the Arts, University of Melbourne. He wrote the BFA Theatre Practice and BFA Theatre Practice (Honours) degrees and the Acting Breadth Track, a suite of subjects that enables students from across the University to experience conservatoire-style studio-based theatre training.
From 2019-22 Robert was Resident Artist at the School of Computing and Information Systems, University of Melbourne working on projects that combine performance, computing and data for Arts Centre Melbourne and Melbourne Connect.
From 2023-25 Robert is Dean’s Research Fellow at the Faculty of Fine Arts and Music using the performing arts to lead research projects exploring Theatres of Artificial Intelligence.
Who am I?
I am an Australian immigrant from the United Kingdom, born in England but of Welsh, Scottish and Manx ancestry living and working in Naarm (Melbourne), the unceded land of the Boonwurung and Wurundjeri people of the Eastern Kulin Nation. I acknowledge, respect and seek to understand the 1000 generations of arts practice that has been danced, sung and shared in the place where I live. My pronouns are he, him and his.
- Rehearsing and performing sustainable and equitable futures
- Radical collaborations, the arts and ‘wicked’ problems, science and art
- Queering, unmastering, decolonizing, disrupting and enriching everyday life
- Methods of imagining, knowing, collaborating, making, sensing and feeling
- Immersion, interactivity, play and dreams
- Fusing experimental performance, transmedia experience, live art and AI
- Museums, mobile devices, participation and site-specific adventures
- Animals, wilderness and space
I’m working on Child of Now, a new project about the mass imagining of the next century. I’m looking for collaborators expert in: demographics, futurology, smartphones and AR/Mixed Realities. If that’s you, or you want to know more, please get in touch.
I am also working on…
The Heart, a permanent installation built into the foyer of Melbourne Connect that combines live building data, Artificial Intelligence and a large volumetric display to reveal the pulse of the building and its community that will beat for at least the next 42 years.
Stone Swarm (aka Sacrifice), a new interactive installation combining swarm robotics, ancient standing stones and performance with Melbourne Flight Lab and Swarm Robotics Team.
Squid-inspired lighting: the functional bio-bulb (aka Liquid Moonlight) creating the world’s first “functional bio-bulb” – a light that works using bioluminescence with biomedical engineer Matt Faria and mathematical biologist Stuart Johnson.
Child of Now
Bachelor of Arts with Honours
Dartington College of Arts
Master of Science
Information Technology (Software and Systems)
University of Glasgow
Learning and Teaching in Higher Arts Education
Royal Conservatoire of Scotland
Doctor of Philosophy
Overlooked Performances: Mobile Computing, Site-Responsive Arts Practice and the Spectral Dramaturgy of Vanitas
University of Melbourne
Robert Walton’s production attains the fluid potency of a fever-dream
– The Age
A spine-tingling encounter
– The Guardian
A wholly new theatrical experience
– The List
The world’s first piece of iPad theatre. Eerie, unsettling and very, very clever.
– The Independent
An original and talented thinker and theatre-maker
– The Times
A brand new way of looking at the world
– The Stage
Nominees like Robert Walton and Jason Maling (Vanitas) are setting the standard for innovation and creativity on the Internet. It is an incredible achievement to be selected among the best from the over 13,000 entries we received this year.
– Claire Graves, Executive Director of The Webby Awards
Interview: Standing stones and swarm robotics…
Standing stones and swarm robotics… artist Dr Robert Walton explores the mysteries of old and new technology By Megan van…
Interview: The Age – Arts Centre hosts ‘a probe we’re sending into the future’
Arts Centre hosts ‘a probe we’re sending into the future’ By Stephen A Russell The Age February 28, 2022 — 1.49pm…
Interview – Child of Now – Joy Sunday Arts Magazine
Loved talking about Child Of Now at JOY 94.9 Sunday Arts Magazine on 2 May 2021. I chatted with David Hunt and Neil…
Interview: Imagining a building with heart
An interview with Jo Conlon for Melbourne Data Analytic Platform about my new artwork The Heart, a project I…
Interview: Robert Walton on Child of Now and bringing your heart to work
An interview by Rochelle Siemienowicz. Visit the original here. Robert Walton on Child of Now and bringing your heart to work…
Interview in The Saturday Paper by Claire G. Coleman
Stealing time and cultivating “radical empathy” with artist Robert Walton. By Claire G. Coleman. Robert Walton and I find a…
Confronting the feel, smell and taste of blood – Pursuit
Interview Article The inaugural exhibition at The University of Melbourne’s Science Gallery Melbourne, explores our relationship with the sometimes confronting topic…
Interview: What to do if you didn’t get in – ArtsHub
Missing out on an offer to study may feel like the end of the world. It’s not. by Troy Nankervis…
Interview: VCA gets FR!SKy for Fringe – ArtsHub Interview
A festival-within-a-festival, FR!SK aims to help emerging artists get to grips with professional practice. By Richard Watts Published Tuesday 9…
Interview: Strong tradition, new moves – RealTime Interview by Keith Gallasch
From RealTime Special – ARTS EDUCATION: THEATRE & PERFORMANCE Written by Keith Gallasch in August/September 2014 edition in print and online….
Season 2 Arts House Events
Come along to five events I am hosting at Arts House during their brilliant 2014 second season. The Supper Club…
Robert Walton gets HOT – Radio Interview with Gareth K Vile
Cheeky wee interview with Gareth Vile where we discuss live art, theatre, dance, Fish & Game, Australia and of course the…
HOT Interviews in The Herald, The Scotsman & The List
Three great interviews and previews in the Scottish press: The Scotsman carried an interview preview with Lucy Guerin and I….
On Earthquake at VCA – The Age
The Age carried this story about the two Australian premieres staged at VCA in October 2013. I directed one of…
RealTime Interview – Arts Education: Utopia and Horrors
Melanie Beddie and I appear in Keith Gallasch’s RealTime feature on Arts Education (RealTime 116). We outline our ‘utopian’ vision…